By Nicholas Mosley
Returning to London from a visit to the West Indies, an aspiring author encounters a bewitching trio of neighbors whose magic lies of their skill to show any state of affairs into myth. formerly misplaced on this planet, the narrator falls in love with the younger brother-sister pair of Peter and Annabelle, in addition to the older, extra political Marius. truth quickly encroaches upon the foursome, although, within the type of Marius's in poor health spouse, forcing the narrator to confront the darkish vacancy and worry on the center of his friends' joie de vivre. during this, his moment novel—written within the '50s and not ahead of published—Nicholas Mosley weighs questions of accountability and sacrifice opposed to these of affection and earthly wish, the spirit as opposed to the flesh.
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Extra info for A Garden of Trees
The circulation of these images in other Donnean poems that imagine an ideal way of life underscores their great resonance for the poet. ” In the epistle’s ﬁnal paragraph Donne works an elegant panegyric reversal of his lengthy moral counsel. He asserts that he has learned his ethics from Wotton himself: “But, Sir, I’advise not you, I rather doe / Say o’er those lessons, which I learn’d of you” (ll. 63–64). The poem further complicates its view of man’s proper relation to the social world by moving from recommending a particular form of mobility in life’s metaphorical “journey” to praising Wotton’s conduct as an actual traveler.
Having disposed of prevailing approaches to religious allegiance, Donne begins afresh with a second, unconventional triad composed of extreme ﬁgures who reject and accept all the religious sects plus the poet’s vision of the true mean adumbrated in the poem’s ﬁnal exhortative section. Unlike the preceding characters, the two extreme ﬁgures in this second triad, Phrygius and Graccus, do not evade the problem posed by religious diversity through superﬁcial preferences for the various national churches: Carelesse Phrygius doth abhorre All, because all cannot be good, as one Knowing some women whores, dares marry none.
Donne often contrasts reckless desperation and cowardice as dual extremes opposed to courage. ”10 The satire’s oxymoronic “desperate coward” is a new version of Aristotle’s rash man. 13–14). 11 Donne’s “desperate coward” similarly collapses the distinction between the two extremes: he “seem[s] bold” in recklessly ﬁghting in “forbidden warres” but is afraid to ﬁght the spiritual battle “appointed” by God (ll. 12 Donne’s list of the various kinds of “desperate coward,” a gallery of sixteenth-century character types, underscores their extremism.
A Garden of Trees by Nicholas Mosley