By American PHOTO
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Extra resources for American PHOTO - July August 2010
2L) and loaded with Fujiﬁlm Neopan 1600 ﬁlm, a Mamiya 6 mediumformat rangeﬁnder with Kodak Tri-X ﬁlm and a Canon EOS 5D DSLR. The one constant? ” ©HENRY HORENSTEIN 40 For Katharina Bosse’s New Burlesque series, she shot portraits of Kitten de Ville (this page), Carina and Katla (opposite, top), and Dagger Lee (opposite, bottom). Tease-O-Rama was a ready-made set for the photographer. “I did not really need to test anything for this series — everything had been prepared long before. With the spark I’d been waiting for, I could take ﬂight,” she recalls.
Controls such as Highlight Tone Priority and Auto Light Optimizer on Canon DSLRs limit video data’s ﬂexibility in postproduction. Disable any automatic noise reduction and tone controls. Use the Adobe RGB color space and, on Canon models, stick with the Neutral picture style settings. Set the sharpness all the way down (to the left), and set the contrast and saturation to -1 or -2. But do experiment: The best settings for color, contrast and other qualities might vary with the lens you’re using and ISO you’ve set.
It’s better to settle on the aperture that suits your scene and subject, and control exposure by adjusting the camera’s ISO and/or using neutral density ﬁlters to reduce the light entering the lens. ) Setting SHutteR SpeeD anD fRame Rate Frame rate describes the speed at which individual video frames are displayed on screen. Due to technical issues, actual frame rates are often just short of the round number used to describe them. The choices for frame rate (shown above, right) are 24 fps, 25 fps, 30 fps, 50 fps or 60 fps.
American PHOTO - July August 2010 by American PHOTO